{"id":3914,"date":"2017-03-07T21:31:53","date_gmt":"2017-03-07T20:31:53","guid":{"rendered":"http:\/\/www.theartdigger.com\/es\/?p=3914"},"modified":"2017-03-07T21:31:53","modified_gmt":"2017-03-07T20:31:53","slug":"10-diebenkorn-rules-and-a-quote-from-mondrian","status":"publish","type":"post","link":"https:\/\/www.theartdigger.com\/es\/art-resources-es\/10-diebenkorn-rules-and-a-quote-from-mondrian","title":{"rendered":"10 reglas de Diebenkorn y una cita de Mondrian"},"content":{"rendered":"
\"Richard

Richard Diebenkorn. 1961<\/p><\/div>\n

Debi\u00f3 ser por el tiempo en el que Richard Diebenkorn, regresando a la abstracci\u00f3n, volvi\u00f3 a\u00a0 dejar estupefactos a cr\u00edticos y observadores. Una deriva pict\u00f3rica, la de Diebenkorn, que les costaba trabajo seguir.\u00a0 Fue entonces, en plena madurez art\u00edstica, cuando escribi\u00f3 diez reglas (que el llamaba notas de estudio) para colgarlas en su taller y tenerlas siempre visibles mientras trabajaba.<\/p>\n

Diebenkorn las escribi\u00f3 para s\u00ed mismo a modo de advertencias que le ayudasen a transitar su viaje creativo (reminiscencias de los mandamientos para el viaje del creyente). Solo las comparti\u00f3 en vida con algunos amigos y no se hicieron p\u00fablicas hasta que tras su muerte (1993) John Elderfield las public\u00f3 en 1997,<\/p>\n

No creo que se presten a una interpretaci\u00f3n sesuda y anal\u00edtica porque hablan de percepciones y sentimientos puramente art\u00edsticos. Las palabras se quedan cortas con el proceso creativo: es como tratar de explicar como se escribe un Nocturno de Chopin.<\/p>\n

Admiro especialmente la valent\u00eda de Diebenkorn cuando se propone no ceder a la auto-complacencia inicial de la que hablan las reglas 2 y 4. \u00bfQui\u00e9n no ha sentido el orgullo del comienzo fresco de la obra y la par\u00e1lisis del miedo a continuar?. Espero no ser irreverente si aventuro que estas dos reglas en concreto no las sol\u00eda cumplir Picasso, por ejemplo. Aunque a Picasso le toc\u00f3 ser el explorador de su Siglo y eso le justifica.<\/p>\n

\"Diebenkorn

Ocean Park No. 48<\/p><\/div>\n

La mejor disertaci\u00f3n sobre las reglas de Diebenkorn se la escuch\u00e9 a Alex Kanevsky que renunciando a una interpretaci\u00f3n textual, hace un l\u00facido acompa\u00f1amiento est\u00e9tico de las reglas a trav\u00e9s de una certera y heterodoxa selecci\u00f3n de im\u00e1genes art\u00edsticas.<\/p>\n

Si no has tenido el privilegio de escuchar a Kanevsky siempre puedes colgar las reglas de Diebenkorn en tu estudio y dejarte influir por los ecos y las intenciones que se esconden detr\u00e1s de estos enunciados. Cada pintor a su manera, transita un camino parecido.<\/p>\n

En esencia, las reglas de Diebenkorn son un recordatorio y un ejercicio de humildad para el propio artista y su papel en el Arte.\u00a0Lo dijo Piet Mondri\u00e1n<\/strong>: \u201cLa posici\u00f3n del artista es humilde, es esencialmente un cauce\u201d<\/p>\n

10 reglas de Diebenkorn; notas a m\u00ed mismo<\/h2>\n

1. intenta lo incierto. La certeza puede llegar o no m\u00e1s tarde. Puede convertirse entonces en una valiosa ilusi\u00f3n<\/h4>\n

2. La atractiva posici\u00f3n inicial que se halla todav\u00eda lejos de la obra completa no tiene valor- excepto como est\u00edmulo para seguir avanzando.<\/h4>\n

3. \u00a1Busca!<\/h4>\n

4. Usa y responde a las frescas cualidades iniciales pero consid\u00e9ralas absolutamente accesorias.<\/h4>\n

5. No \u201cdescubras\u201d un tema- de ninguna clase.<\/h4>\n

6. De alguna manera, no te aburras pero si debes hacerlo, \u00fasalo en acci\u00f3n. Usa su potencial destructivo.<\/h4>\n

7. Los errores no se pueden eliminar pero te mueven de tu posici\u00f3n actual.<\/h4>\n

8. Mant\u00e9n tu ingenuidad.<\/h4>\n

9. Tolera el caos.<\/h4>\n

10. Ten cuidado pero s\u00f3lo de un modo perverso.<\/h4>\n

Nota del Autor: En mi traducci\u00f3n al espa\u00f1ol he tratado de respetar sobretodo el sentido genuino del original en detrimento de la literalidad pero es bienvenida cualquier correcci\u00f3n o sugerencia.<\/p>\n

Links:
\n<\/a>\"\"<\/a>
\n\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Debi\u00f3 ser por el tiempo en el que Richard Diebenkorn, regresando a la abstracci\u00f3n, volvi\u00f3 a\u00a0 dejar estupefactos a cr\u00edticos y observadores. Una deriva pict\u00f3rica, la de Diebenkorn, que les costaba trabajo seguir.\u00a0 Fue entonces, en plena madurez art\u00edstica, cuando escribi\u00f3 diez reglas (que el llamaba notas de estudio) para colgarlas en su taller y…<\/p>\n","protected":false},"author":1,"featured_media":3893,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[93],"tags":[],"class_list":["post-3914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-resources-es"],"yoast_head":"\n10 reglas de Diebenkorn y una cita de Mondrian<\/title>\n<meta name=\"description\" content=\"Richard Diebenkorn rules are 10 artistic statements which he wrote to guide his painting, These rules still are a source of inspiration for other artists.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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